{"id":2194,"date":"2022-07-23T20:19:11","date_gmt":"2022-07-23T18:19:11","guid":{"rendered":"https:\/\/blog.rwth-aachen.de\/akustik\/?post_type=tribe_events&#038;p=2194"},"modified":"2022-08-09T21:47:16","modified_gmt":"2022-08-09T19:47:16","slug":"sani-working-with-multi-channel-audio-setting-up-demos-in-scalar","status":"publish","type":"tribe_events","link":"https:\/\/blog.rwth-aachen.de\/akustik\/event\/sani-working-with-multi-channel-audio-setting-up-demos-in-scalar\/","title":{"rendered":"Sani: Working with Multi Channel Audio: Setting up demos in SCaLAr"},"content":{"rendered":"<p>Working with 3D audio formats, especially Ambisonics, is not as straight-forward as traditional channel-based formats like stereo or 5.1. This gets even more complex with irregular loudspeaker arrays like SCaLAr: it is unlike any conventional speaker configuration, and therefore requires combinations of tools to achieve a relatively easy \u201cdrag and drop and play\u201d situation.\u00a0 I will present custom designed demos for the SCaLAr array of various sound-field based and channel-based 3D microphone recordings as well as contents encoded in 3D formats by combining Reaper and Max to have a relatively flexible setup for demo purposes. Additionally, I investigate the usability of RAVEN and Virtual Acoustics for post-production of a VR project as well as for a 6 DoF interactive demo in the VR Lab.<\/p>\n<p><span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/lists.rwth-aachen.de\/postorius\/lists\/akustik-kolloquium.lists.rwth-aachen.de\">Melden Sie sich hier an um Einladungen zu den Kolloquium-Vortr\u00e4gen per E-Mail zu erhalten.<\/a><\/span><br \/>\n<span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/lists.rwth-aachen.de\/postorius\/lists\/akustik-kolloquium.lists.rwth-aachen.de\">Register here to receive the invitations to colloquium talks via e-mail.<\/a><\/span><\/p>\n<p>Zoom-Meeting-ID: <span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/rwth.zoom.us\/j\/92337483140?pwd=dTR6VWQyZ3NUa3R4bnUvclV0YWpXdz09\">923 3748 3140<\/a><\/span><br \/>\nPasswort: 042503<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Working with 3D audio formats, especially Ambisonics, is not as straight-forward as traditional channel-based formats like stereo or 5.1. This gets even more complex with irregular loudspeaker arrays like SCaLAr: [&hellip;]<\/p>\n","protected":false},"author":1461,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[79],"class_list":["post-2194","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-vortrag-praxissemester","cat_vortrag-praxissemester"],"_links":{"self":[{"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/tribe_events\/2194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/users\/1461"}],"version-history":[{"count":3,"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/tribe_events\/2194\/revisions"}],"predecessor-version":[{"id":2231,"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/tribe_events\/2194\/revisions\/2231"}],"wp:attachment":[{"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/media?parent=2194"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/tags?post=2194"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/blog.rwth-aachen.de\/akustik\/wp-json\/wp\/v2\/tribe_events_cat?post=2194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}