Research in historical musical acoustics has traditionally emphasized instrument fabrication, material choices, and construction impact. Similarly, musicological, theatrical, and religious studies have delved into various aspects of historical contexts. However, little attention has been given to acoustical conditions crucial for human-to-human communication in these scenarios. Recent advancements in computational accuracy and virtual reality simulations, inspired by experimental archaeology, now enable ecologically valid auditory reconstructions of historic sites. Several studies, including Notre-Dame de Paris and the Palace of the Popes in Avignon, employ these techniques, presenting significant results. Developed VR tools like Anaglyph binaural renderer and RoomZ spatializer aid in immersive audio rendering and dynamic movements. These tools, adaptable to DAWs, facilitate „live“ performances in virtual historic venues, allowing real-time adaptation of source directives and dynamic displacement. Observations on acoustic variations‘ impact on performers and audience interpretation contribute to understanding historical contexts. Additionally, VR models and tools are utilized for public communication through live performances, cinematic reconstructions, audio podcasts, and musicographic installations.

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